This whole thing is easily spoilt, of course, as the parts are complicated and rich in ornamentation, too, thus they are remarkably difficult to play and the performance may easily become square: Youtube is well loaded with this kind of retarded recordings, a few of which are good but this record in particular is so outstanding of the whole mass that some consider it the best of all Baroque lute records. I can also add if anybody knows a better one, be happy to enjoy it and then show it to us, too. Rolf Lislevand is a great whizard, much has been said about him; he tends to do reorchestrations: Bach becomes fully ornamented to come back to life; Kapsberger gets some turns after which his jazz musician friends keep hugging him; Renaissance hits are interpreted in a way nobody recognizes them; but here there are no vagaries whatsoever – we take it dead seriously that everything is played according to the scores and if he at some points seems to be carried away by the decorations, this is only a little extra that has nothing to do with the very essence. It’s ultra precise and smoothly rolling at the same time, having several layers like fractals, and why is this math stuff here again? Well, this is an appealing, fine performance for the first sight and a little later if we listen carefully, we’ll discover an interesting inner melody: the base harmony together with the ornamentation yield another kind of harmony, which can be further intensified when we compare this second harmony to the basic one again I usually do not recommend concentrated listening to music but this one is an exception now as so many different things may come out of the depth.

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The last piece is a Double in Fis moll and it offers us something of real interest. We shall not notice it first as in the continuous flow a lot of different things drift in the same current side by side. Words pop up in our mind such as mosaic or rather relayering in the same way as the tiles are placed on the roof and the way we keep cards in our hand: one fourth of the King of Hearts is followed by one-third of the Seven of Spades; the theme begins, the rhythm is set, then everything turns towards the half of the Queen of Diamonds and a slice of Joker, but the structure remains intact since the fact that not everything is to be seen does not mean that anything is missing: the whole of the card pack is in play just in the same way as the musical ligature is present without a fracture. The lack of fracture means that the individual pieces fill the entire composition so that there are no slits anywhere and the small bits occupy the space completely without a hiatus. Mosaic was our first thought and rightly so for this very much resembles girih, the famous Arabian art of mosaic design in which five different types of shapes, rombuses, pentagons, hexagons and several other polygons with a strictly defined number of angles have been used for 800 years now to cover regular surfaces such as a rectangular floor or an unusual bird figure without a single gap or any tiles to be cut to form. EN Accademia Bizantina EN Lullabiee - Montserrat Figueras EN Mudejar - Begona Olavide EN Byrd - Elizabeth Farr EN Javier Nunez EN Purcell - Savall EN Falconieri EN Sainte Colombe - Savall EN Rolf Lislevand - lute EN Paola Erdas - Cabezon EN Viola da gamba duos EN Mala Punica EN Heed Nexus power amplifier for hifiers only EN Graindelavoix EN Le Poeme Harmonique EN Jordi Savall EN The Werckmeister Harmonies EN Sara Mingardo EN Ensemble Musica Nova EN Jordi Savall EN Fitzwilliam Ensemble EN Pascal Monteilhet ________________________. Serial Port Data Logger China on this page.

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For a fraction of the cost of a book, we can share that book online forever. When I started this, people called me crazy. Collect web pages? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy. We never accept ads.

But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. $3,555,840 $6M Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today.

We’re an independent, non-profit website that the entire world depends on. Most can’t afford to donate, but we hope you can. The average donation is about $41. If everyone chips in $5, we can keep this going for free. For a fraction of the cost of a book, we can share that book online forever. When I started this, people called me crazy.

Collect web pages? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We’re dedicated to reader privacy. We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in.

—Brewster Kahle, Founder, Internet Archive. Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. If everyone chips in $5, we can keep this going for free. For a fraction of the cost of a book, we can share that book online forever. When I started this, people called me crazy.

Collect web pages? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This. We never accept ads, but we still need to pay for servers and staff.

If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive.