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Publication date 26 May 1897 ( 1897-05-26TUK) Dracula is an 1897 novel by Irish author. It introduced, and established many conventions of subsequent fantasy. The novel tells the story of Dracula's attempt to move from to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and a woman led by Professor. Dracula has been assigned to many including,, the, and. The novel has spawned numerous theatrical, film, and television interpretations.

Cover of, a collection of short stories authored by The short story 'Dracula's Guest' was posthumously published in 1914, two years after Stoker's death. It was, according to most contemporary critics, the deleted first (or second) chapter from the original manuscript and the one which gave the volume its name,: 325 but which the original publishers deemed unnecessary to the overall story.

'Dracula's Guest' follows an unnamed Englishman traveller as he wanders around before leaving for Transylvania. It is and the young Englishman foolishly leaves his hotel, in spite of the coachman's warnings, and wanders through a dense forest alone. Along the way, he feels that he is being watched by a tall and thin stranger (possibly Count Dracula). The short story climaxes in an old graveyard where the Englishman, caught in a blizzard, takes refuge in the marble tomb of 'Countess Dolingen of Gratz'. Within the tomb, he sees the Countess—apparently asleep and healthy—but before he can investigate further, a mysterious force throws him clear of the tomb. A lightning bolt then strikes the tomb, destroying it and incinerating the undead screaming countess.

The Englishman then loses consciousness. He awakens to find a 'gigantic' wolf lying on his chest and licking at his throat; however, the wolf merely keeps him warm and protects him until help arrives. When the Englishman is finally taken back to his hotel, a telegram awaits him from his expectant host Dracula, with a warning about 'dangers from snow and wolves and night'. Deleted ending [ ] A small section was removed from a draft of the final chapter, in which Dracula's castle falls apart as he dies, hiding the fact that vampires were ever there. As we looked there came a terrible convulsion of the earth so that we seemed to rock to and fro and fell to our knees. At the same moment with a roar which seemed to shake the very heavens the whole castle and the rock and even the hill on which it stood seemed to rise into the air and scatter in fragments while a mighty cloud of black and yellow smoke volume on volume in rolling grandeur was shot upwards with inconceivable rapidity.

Then there was a stillness in nature as the echoes of that thunderous report seemed to come as with the hollow boom of a thunder-clap – the long reverberating roll which seems as though the floors of heaven shook. Then down in a mighty ruin falling whence they rose came the fragments that had been tossed skywards in the cataclysm. From where we stood it seemed as though the one fierce volcano burst had satisfied the need of nature and that the castle and the structure of the hill had sunk again into the void. We were so appalled with the suddenness and the grandeur that we forgot to think of ourselves. The story of Dracula has been the basis for numerous films and plays. Stoker himself wrote the first theatrical adaptation, which was presented at the Lyceum Theatre on 18 May 1897 under the title Dracula, or The Undead shortly before the novel's publication and performed only once, in order to establish his own copyright for such adaptations. This adaption was first published only a century later in Oct 1997.

Toontrack Metal Machine Keygen Only. The first motion picture to feature Dracula was, produced in in 1921. [ ] The now-, however, was not an adaptation of Stoker's novel, but featured an original story. [ ] 's unauthorised film adaptation was released in 1922, and the popularity of the novel increased considerably, owing to an attempt by Stoker's widow, who tried to have the film removed from public circulation. Prana Film, the production company, had been unable to obtain permission to adapt the story from Bram's widow, so screenwriter was told to alter numerous details to avoid legal trouble. Bifinett Kh 2230 Manual Woodworkers. Galeen transplanted the action of the story from 1890s England to 1830s Germany and reworked several characters, dropping some (such as Lucy and all three of her suitors), and renaming others (Dracula became, Jonathan Harker became Thomas Hutter, Mina became Ellen, and so on).

This attempt failed to avoid a court case, however; Florence Stoker sued Prana Film, and all copies of the film were ordered to be destroyed. However, the company was bankrupt, and Stoker only recovered her legal fees in damages. Some copies survived and found their way into theatres.

Eventually, Florence Stoker gave up the fight against public displays of the film. Subsequent rereleases of the film have typically undone some of the changes, such as restoring the original character names (a practice also followed by in his 1979 remake of Murnau's film ). [ ] Florence Stoker licensed the story to playwright, whose toured England for several years before settling down in London. [ ] In 1927, American stage producer hired to revise Deane's script in advance of its American premiere. Balderston significantly compressed the story, most notably consolidating or removing several characters. The Deane play and its Balderston revisions introduced an expanded role and history for Renfield, who now replaced Jonathan Harker as Dracula's solicitor in the first part of the story; combined and into a single character (named Lucy); and omitted both and entirely. When the play premiered in New York, it was with in the title role, and with as, [ ] roles which both actors (as well as as ) reprised for the English-language version of the 1931.

The 1931 film was one of the most commercially successful adaptations of the story to date; it and the Deane/Balderston play that preceded it set the standard for film and television adaptations of the story, with the alterations to the novel becoming standard for later adaptations for decades to come. [ ] Universal Studios continued to feature the character of Dracula in many of their from the 1930s and 1940s. As the title character in (1958) In 1958, British film company followed the success of its from the previous year with, released in the US as The Horror of Dracula, directed.

Fisher's production featured as Dracula and as Van Helsing. It was an international hit for Hammer Film, and Lee fixed the image of the fanged vampire in popular culture. Both Lee and Cushing reprised their roles multiple times over the next decade and a half, concluding with (with Cushing but not Lee) in 1974. Christopher Lee also took on the role of Dracula in, a 1970 Spanish-Italian-German coproduction notable for its adherence to the plot of the original novel.

Playing the part of Renfield in that version was, who later played Dracula himself in 1979's Nosferatu the Vampyre. In 1977, the made, a 155-minute adaptation for television starring. Later film adaptations include 's 1979, starring and inspired by the of the Deane/Hamilton play, and 's 1992, starring. The character of Count Dracula has remained popular over the years, and many films have used the character as a villain, while others have named him in their titles, including and. As of 2009, an estimated 217 films feature Dracula in a major role, a number second only to (223 films). A large number of these appearances are not adaptations of Stoker's novel, but merely feature the character in an unrelated story.

See also [ ].