Furious that her late father only willed her his gloomy-looking mansion rather than his millions, Carrigan Crittenden is ready to burn the place to the ground when she discovers a map to a treasure hidden in the house. But when she enters the rickety mansion to seek her claim, she is frightened away by a wicked wave of ghosts. Determined to get her hands on this hidden fortune, she hires afterlife therapist Dr. James Harvey to exorcise the ghosts from the mansion. Harvey and his daughter Kat move in, and soon Kat meets Casper, the ghost of a young boy who's 'the friendliest ghost you know.' But not so friendly are Casper's uncles--Stretch, Fatso and Stinkie--who are determined to drive all 'fleshies' away.

Ultimately, it is up to Harvey and Kat to help the ghosts cross over to the other side. I don't view films as if I'm watching them as the intended audience; I watch them for myself. And that's why I found it odd at how engrossed I was when I watched this film for the first time at the age of eighteen. Aside from the great gothic flair of the mansion, two superbly placed cameos, and nice laughable black humour from the 'trio,' the film took off because of its emotional core.

It's something that a youngster can really get into, but also anyone who finds it sad that a child can die. When Casper plays with his toys, I just wanted to start crying. This eternal child--lost and stuck in an age of mystery and wonder. And yet, he's smitten with a girl--he's starting to go through puberty.

And it's just so sad... And beautiful. And then there's the father, and his sway into the afterlife, his daughter's plight, her struggle with her wish to help Casper. It's all so simple and written for kids, but I was so engrossed by the romanticism of it all. The villains mostly butt into the greatness of all of it, but you just have to grant that in a kid's picture. And now comes my but... In the end, when the mother does appear, she's supposed to be this amazing, angelic, deux es machinal, she floats through the stain glass window, her long hair flows around her, her gown flows all around her but--what the hell!

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Why is her dress such a deep red!? She looks like satan! Bad costume choice made a really bad moment. But mostly, I loved this film for it's good parts, despite the childishness of much of it.

There's something enormously touching about this film and the way it deals with losses -- Pullman's wife and Casper's mother, in particular. And what's so clever about it is how it uses them as a tool of audience manipulation AND has the evil ghosts use Pullman in exactly the same way that we're being used. This is a smartly written screenplay.

The story itself is pretty conventional and predictable: the loner girl gets teased by a popular girl (that nobody really likes) who's out to destroy her; the popular girl has a cute boyfriend that the loner girl has the hots for, etc. Ramayanam Serial Actors there. Etc., story will resolve itself with everyone falling in love with loner girl. I can't quite understand why this movie has such a low rating. The only explanation I can think of is that people prefer emotionally 'safe' movies like 'Toy Story' (of the same year) that are equally brilliant technically (and have as many references), but don't sacrifice coolness by showing sentimental, sad emotion. It's possible that the movie got marketed incorrectly.

The film isn't about spooks; like one of those early, wonderful Tim Burton fantasies (this film also shares with them an outstanding score), the film deals -- quite movingly, I think -- with regaining that lost sense of childhood: that moment where Casper tries to remember being alive is just wrenching. And the scene relates just as profoundly to us: just as he can't remember being alive, we can't, really, remember being kids. I was ten when I first saw this, and it had an effect on me then (Ricci's description of sunny side-up eggs making her gag subconsciously made me avoid anything less than hard boiled for ten years); this is something that I really cherish as being part of my young emotional and visual education, and it stands up today.

I haven't seen the director's other films, so I have no idea whether this whole thing was a fluke or whether everything just settled in to my particular sensibility, but even outside of the emotion I think the technical aspects, the giant basement set, are enough to keep interest. And even outside of that, the acting is terrific. Cathy Moriarty is an absolute riot. Ever since i was six years of age, I've enjoyed this movie. It makes me laugh, cry, and excited!

I am disappointed that so many people don't like this movie. It is an all-time favorite of mine. It is sad yes, but it has comic relief from the three uncles that try to be humanlike, Casper, the friendly ghost that knows what it is like to be lonely, for instance me, and same with Kat. I am very touched with this film, for it makes me think about me, lonely and depressed, but it has a positive ending which I really adored! I also liked the amazing effects, that were famous at its, time. Of course now, effects from movies are like The Matrix films and LOTR, but i mainly like this film, because it tocuhes my heart in a both sad and sometimes happy, knowing, someone else is out there for you, even if you are a bit.dead.

Who says there are no such things as ghosts? Not if there is the ghostly inhabitants of Whipstaff Manor in Friendship, Maine! This desolate mansion is then, in the words of one of the members of the Ghostly Trio of Whipstaff, 'intruded' by Kat Harvey (Christina Ricci) and her eccentric father Dr. James Harvey (Bill Pullman), a ghost therapist. Carrigan Crittenden (Cathy Moriarty) had hired Dr. Русский Сериал Зона 2 Сезон more. Harvey to exorcise the ghosts, including Casper the friendly ghost and his three obnoxious uncles, Stretch, Fatso and Stinkie, aspiring to gain Whipstaff's 'buried gold'.

Intertwining humour, all-time fun and a modern Cinderella story, 'Casper' promises to please as a movie which is compelling, hilarious, captivating, heart-warming, witty and above all, truly 'fleshtastic'. 'Casper' is recommended for any audience, regardless of age. At the time I am submitting this review I am currently 17, turning 18, but 'Casper' still manages to appear endearing and ultimately special. The magic of Bill Pullman, Christina Ricci as well as that of director Brad Silberling, executive producer Steven Spielberg, and other producers weaves between each and every scene to eventually lift us off our feet. Above all, I LOVE THIS MOVIE! Casper is my all time favourite character.

Truly fantastic. You won't BOOlieve it until you see it. After reading the comments, I see most people enjoy this movie with a few picking it over nothing (e.g. Not an accurate portrait of ghost?). I first saw the movie in my preteen. It was a fun & 'cute' movie, highly entertaining with the trio & treasure hunting & stuff.

As I grew older & revisit this movie, I see more 'layers' of the movie other than a 'kiddie ghost story'. Harvey (Bill Pullman, excellent as usual) is having a hard time dealing with the death of his wife, & Kat (Ricci, a great break from the cool-headed Wednesday Adams) is having a hard time adjusting her father's constant move as well as grieving her mother on her own.

Then, there is Casper grieving his own death as well as his father's death. And then there is Carrigan's mourning her father. Not leaving her all the riches. Then there is Casper's heroic act (go see the movie, it's one of the most touching moment), Dr. Harvey's reunion, etc. From a child's point of view, it's pure entertainment.

From an art lover's point of view, you have to awe at the special effect & sets. From an audience seeking emotional outlet, well, bring in an extra box of kleenex. It's a very touching, warm-hearted, humorous, sweet little movie about a friendly ghost named Casper. Just a side note, it is quite interesting to watch Addams' Family & Casper & Sleepy Hollow & see Christina Ricci grow from the eccentric Wednesday Addams to a regular teenager Kat Harvey to a beautiful young lady Katrina Van Tessel.